What The Correspondent adds to the American press

It reconfigures how a live public stands toward the makers of journalism.

2 Oct 2018 12:20 pm 5 Comments

We make free presses one at a time. Those we have spring from the protections of law in a given country, and from the history and culture of the people who live there. When you look at the world map, there are not a lot of them. Many fewer than we need! The free presses we do have face common problems:

  • a broken business model, as the advertising business is transformed by the internet;
  • the slow motion collapse of the local newspaper, which is where a relationship with trusted news providers begins;
  • attacks on the news media by authoritarian leaders and the movements they head, along with a rising mistrust of governing elites and the institutions they direct;
  • a cultural condition and media climate involving bad actors and false claims that is so confusing and seemingly hopeless that terms like “death of truth” and “post-fact” are routinely used by educated people as they try to name and frame what to them stands out about it;
  • in countries with a long tradition of public broadcasting, the beginnings of a revolt against the financing system, typically led by right wing populists;
  • deficits in agility, urgency, and diversity in newsrooms that aren’t changing as fast as their predicament shifts;
  • and everywhere the capture of the relationship with users by the big tech platforms.

Instead of seeking universal answers (“write once, run anywhere,” as they say in the software business) we should commit to global collaboration, and to learning from the journalism of other countries: one free press to another.

This is the choice I made in trying to recover my bearings after the shocking results of the 2016 election in the United States — shocking for journalism, I mean. I decided to work with a small Dutch site, De Correspondent.

This essay explains why.

November 9, 2016, the day after: The press-hating candidate had just won the big prize. Journalists obsessed with the horse race — who’s going to win? — had not made clear the possibility that Donald Trump could be the next president. This was a massive intelligence failure, a trust-crushing debacle. His demagogic attacks on journalists not only didn’t hurt him; they fit smoothly into a political style that capitalized on mistrust of the system and the people who ran it.

American journalism wasn’t ready for what was coming after the election, I felt. The roots of 2016’s collapse ran deep, but there was no tradition of deep reflection following equally massive failures, like the phony case for war in Iraq in 2003, which the political press failed to detect, or the financial crisis of 2008, against which the business press was no protection.

There was no equivalent in journalism of the 9/11 commission to ask: how could this happen? After the election I wrote a two-part post called “Winter is Coming” that summarized a bleak situation this way:

Low trust all around, an emboldened and nationalist right wing that treats the press as a natural enemy, the bill coming due for decades of coasting on a model in political reporting that worked well for “junkies” but failed to engage the rest of us, the strange and disorientating fact that reality itself seems to have become a weaker force in politics, the appeal of the “strong man” and his propaganda within an atmosphere of radical doubt, the difficulty of applying standard methods of journalism to a figure in power who is not trying to represent reality but to substitute himself for it as a show of strength, the unsuitability of prior routine as professionals in journalism try to confront these confusing conditions, a damaged economic base, a weak institutional structure and newsroom mono-culture that hinders any creative response, and a dawning recognition that freedom of the press is a fragile state, not a constitutional certainty.

That’s what I saw on the day after. I did not know how to solve any of these problems, but I knew from experience that the American press — after a short period of self-flagellation for getting the winner wrong — would simply move onto the next story: Trump as president, which was going to be a wild, wild ride.

To just follow along and criticize the coverage I could not do. I had to find a project more constructive. In the weeks after Trump’s improbable victory, I had felt despair creeping up on me. For the first time in my life, I was measuring the years until my possible retirement. (Five at least, ten at most.) I wanted to let others figure a way out of this mess, even though I knew it was equally my gig. Here I detected a new emotion: intellectual shame.

We make free presses one at a time. We have to fix them that way too. My personal breakthrough came at the Newsgeist conference in Phoenix, a month after the election. That was when I first heard Aron Pilhofer, formerly of the New York Times and the Guardian, a self-taught digital journalist and change-maker, say: What if news organizations optimized every part of their operation for trust? Not for speed, traffic, profits, scoops, headlines, prizes, or time-on-site… but for trust. What would that even look like?

I had an idea of what it might look like because I had been talking to the founders of a Dutch news start-up, De Correspondent. Optimized for trust was a plausible description of the model they were developing as the world’s most successful member-funded news site, launched in 2013. Now they were looking to expand to the U.S. and to English language publishing. The more I learned about them, the more distance I gained from my egocentric despair.

Events in the election of 2016 had exposed weaknesses in American journalism that went far deeper, and started much earlier than the post-mortems and press reviews would ever reach. I wanted to work on something that treated the problem at the level where I thought it resided. The entire relationship between journalists and their publics needed to be reconfigured.

Now let me explain what I mean by that.

Five years before Trump’s victory I had given a lecture in Melbourne, Australia entitled, “Why Political Coverage is Broken.” It was mostly a critique of the “savvy” style in the mainstream press, where the object is to get inside the game and show how the winners play it.

Promoting journalists as insiders in front of the outsiders, the viewers, the electorate — this is a clue to what’s broken about political coverage in the U.S. and Australia. Here’s how I would summarize it: Things are out of alignment. Journalists are identifying with the wrong people. Therefore the kind of work they are doing is not as useful as we need it to be… Savviness as a political style [tries] to split the attentive public off from the rest of the electorate, and get us to join up with the insiders. Under its gaze, other people become objects of political technique. In this sense savviness is an attack on our solidarity with strangers who share the same political space.

Out of alignment. This was the key point. In 2011 I knew how to describe that condition, but I did not know what to do about it. Five years later I felt I did know: Join forces with De Correspondent, and its Dutch co-founders, who were half my age. They were busy reconfiguring how a public stands toward its journalists. Their scheme seemed to be working in the Netherlands. Making it work in the U.S. would be much harder, but worth a try.

I am a fan of tinkering. But I knew that tinkering would not be enough. Somehow we had to rebuild the contraption of journalism by realigning its parts. The business model; the distribution system; the style of reportage put before the public; the implied contract between makers and users, writers and readers; the feedback loops; the incentives that drive newsroom behavior. The use of talent. The role of editors. The bid for customer loyalty. It’s not that each and every one of these had to be re-invented. Rather, we had to take them apart and fit them together in a different way. That required an organizing principle potent enough to inspire creative effort at every level of a news company. Optimizing for trust could, I thought, be that principle.

So to describe how the membership model pioneered by De Correspondent works:

1. No ads. This is the most critical decision the founders made. Because there are no ads there are no daily traffic quotas, and no need to chase the controversy of the day. The site is not in the business of measuring, packaging, and selling your attention to someone else. And there’s no third party in between journalists and members. As my colleague Clay Shirky puts it, Best Buy and Wal-mart “never really signed up to fund the Baghdad bureau anyway”.

2. Member-funded. In the Netherlands, 6,000 members pay 70 Euros a year to be members. Member fees and reader donations cover 84 percent of the costs (the rest comes from book sales, speaker fees, and syndication.) As Shirky said, advertisers don’t advertise because they want to support kick-ass journalism. But members become members because they do. That’s part of what I mean by a better alignment.

3. No meter. With revenue from digital advertising difficult to capture, many news sites have turned to subscriptions to survive. Typically they use a “metered” system, in which readers get a certain number of free articles per month, after which their access is blocked — unless they subscribe. De Correspondent doesn’t do that because its model is not subscription. Subscribing is a product relationship: you pay your money and you get the product. If you don’t pay you don’t get it. Membership is different: you join the cause because you believe in the work.

If you believe in the work, then you want it to spread — including to non-members. Thus any link to De Correspondent’s journalism that Dutch readers come across they can access for free: no limit, no meter. To put it another way, the members are an active subset of the readers, and they willingly subsidize the journalism that often spreads beyond the community of supporters to a larger public. This is how De Correspondent gets around the frustrations of a paywall.

4. Escape from the 24-hour news cycle. In the Netherlands, De Correspondent doesn’t try to have something on every news story that the media system is buzzing about. It describes itself as an “antidote to the daily news grind”, then tries to live up to that description. Like other digital publications it sends members a daily email highlighting recently published work, but its goal is to have a different mix of stories, originating not in an editor’s exquisite taste, but in explicitly different principles about what is newsworthy.

In his excellent series, “Unbreaking News”, which explains De Correspondent’s public philosophy, founder and editor-in-chief Rob Wijnberg wrote about those principles. A few highlights:

  • “The problem isn’t liberal bias, it’s recency bias.”
  • “Instead of looking only at what happened today, at De Correspondent we look at what happens every day. When you do that consistently, it makes for a different view of the world.”
  • “We try to tell precisely those stories that aren’t news, but news-worthy nevertheless. Or, as we often say, that reveal not the weather but the climate.”
  • “We encourage [our writers] to seek inspiration for article ideas outside of the day’s newspapers, talk shows, and tweets — by going out into the streets, by reading books, and, above all, by asking our readers the question, ‘What do you encounter every day at work or in your life that rarely makes the front page, but really should?’”

5. A revised contract between editors and reporters. As these principles imply, the editors of De Correspondent have different expectations. “Don’t tell me what happened today. Reveal in a new way what happens every day.” But this is just one of their revisions. Another is that correspondents are permitted to define their own beats and pick their own reporting projects. The idea is to better align commitment with assignment — and to attract the best talent.

In exchange for this extraordinary freedom, writers agree to devote 30 to 40 percent of their time to interactions with members, with a special emphasis on tapping the knowledge and life experience that members bring to the table. The contract with editors thus says something like this: “Writers, we are confident that what excites you as a journalist will also work for our members, but you have to bring them into it. When they know things that you need to know, you must make that exchange happen — or you failed at our style of journalism.”

6. Writers inform readers, readers inform writers. Correspondents are required to send a weekly email to members who follow them at the site, explaining what they are working on and outlining any information needs they have that members might assist with. Members are encouraged to form attachments with the individual writers whose beats interest them most. Comment threads have been reframed as reader “contributions”. Only readers who are paying members can comment, which more or less eliminates trolling.

De Correspondent tries to teach its members that opinion is less valuable than what they know about the topic at hand, or a perspective they can supply that is missing from a published report. Doctors and nurses and patients know more about the healthcare system than even the most well-connected medical correspondent. That’s the idea. More recently, the site has begun verifying what its members are expert in, creating an online database that allows editors to be proactive in asking for help. With all these moves, the goal is to realign the reader-writer relationship around knowledge exchange, in the belief that this will lead to better journalism, greater accuracy, deeper loyalty, and a richer experience for members, who will then be more likely to renew.

7. No View from Nowhere. De Correspondent tries to specialize in slow journalism, in-depth investigations that shift the focus “from the sensational to the foundational”, as Wijnberg puts it. Writers are encouraged to become experts in their subjects and to share conclusions when they have them. They are permitted to say what they think, as long as it is evidence-based. They do not have to obey any party line. Nor do they have to babysit readers, or give them what they’re clamoring for. But they are supposed to practice constructive journalism, which means no description of a problem is complete unless it includes informed discussion of what can be done about it.

These moves are a kind of ideological realignment, not on some left/right axis but toward view-from-somewhere reporting, a transparency that discloses rather than concealing the individual journalist’s point of view. In a suspicious age, the practice of disclosure, coupled with high standards of verification, is more optimal for the production of trust than the Voice of God, the View from Nowhere, or what journalism professors call “neutral professionalism”.

By kicking the advertisers out of bed, by pushing the distinction between subscription and membership to the key point of sustainability, by exiting from the hamster wheel of clickbait and 24-hour news, by putting high concepts like “not the weather but the climate” into practice with its 21 full-time correspondents, by redrawing in a creative way the contracts between writers and readers, editors and reporters, news site and supporters, by encouraging a view-from-somewhere approach and making “constructive journalism” the house style — and by surfacing demand for these things — De Correspondent went beyond tinkering with a broken business model. It reconfigured how a public stands toward the makers of journalism. This was inspiring.

We make free presses one at a time. We ruin them that way too. Incredibly, this is what the President of the United States is trying to do, at least for his core supporters: ruin their trust in professional journalism. No one knows how to stop him from doing that. No one knows how much damage to the press will ultimately result.

But we do know that it didn’t start with Trump, that the problems in journalism are far bigger than one man’s campaign to elude accountability, that the people who care about creating an informed public will have to work together and learn from each other, and that despair is always waiting to substitute itself for honest effort on a distant goal.

By distant I mean we are a long way from knowing what to do to “fix” journalism. But I know what I’ll be doing in the months ahead: everything I can to build a base of support for The Correspondent, the English-language version that will launch its membership campaign in the coming year. I am meeting with the founders weekly as we plan that campaign. I also direct a research project that is studying membership models around the world. Aron Pilhofer is on board. Like me, he’s an “ambassador” for The Correspondent in its drive to expand to the U.S. So is comedian and author Baratunde Thurston, the singer Rosanne Cash, the artist and writer Molly Crabapple.

You can sign up for updates here. And soon you will be able to do much more than that. I hope when your chance comes you will join me, and become a member of The Correspondent. For I’m not ready to retire.

This essay originally appeared at The Correspondent’s collection on Medium.

 

A current list of my top problems in pressthink

Updated from time to time. Ranked by urgency.

30 Sep 2018 4:30 pm 11 Comments

1. Across Europe and the United States there moves a right wing populist wave that includes in its political style the rejection of the mainstream press as corrupt, elitist and part of the system that is keeping the good people, the pure people — the Volk — down. Illiberal democracy is on the rise. It has no use for real journalism, except as hate object. (Link.)

2. For most news publishers the advertising model continues to decline. Google, Facebook and ad tech companies dominate the digital ad market. The VC route does not seem promising. (“Pivot to video” is a good title for that feeling.) The chances of generating more state support — on the public service media model of the BBC, CBC or ZDF — are zero within the current climate. That leaves subscription, crowd-funding and friendly billionaires. Each is shaky in a different way. The business model for serious journalism remains unclear and unstable. That’s a problem.

3. In the United States the President is leading a hate movement against journalism, and with his core supporters it is succeeding. They reject the product on principle. Their leading source of information about Trump is Trump, which means an authoritarian news system is for them up and running. Before journalists log on in the morning, one third of their potential public is gone. No one knows what to do about it.

4. Marty Baron’s famous phrase, “We’re not at war, we’re at work” captures the consensus in American newsrooms about how to respond to Trump’s attacks. As I wrote here, “Our top journalists are correct that if they become the political opposition to Trump, they will lose. And yet, they have to go to war against a political style in which power gets to write its own story.” How to put that distinction into practice is not clear. That’s a problem. So is thinking you’re not at war, when in some ways you are.

5. Leading journalists in the US seem stuck on what they regard as a supremely telling fact: the same man who is leading the national hate movement against their profession cares desperately about his portrayal in the news media, consumes news with a vengeance, loves hanging out and sparring with reporters, and admits that he still holds tender feelings for the New York Times, which he nonetheless attacks as corrupt and failing. Struck uncommonly hard by this irony, they underrate the damage his campaign is doing. (Link.)

6. In local news the wreckage continues, with newspaper staffs reduced by 3X or 4X from their highs. TV newsrooms, public broadcasting and digital start-ups cannot make up the difference. The eye on power that local journalists once provided, fitfully and imperfectly, is today withering away, with no clear answer in sight. The slow motion collapse of the local newspaper is especially painful because that is where a relationship with trusted news providers typically begins.

7. The lack of diversity in American newsrooms and the loss of trust in the American news media are factors clearly related to one another, but there is no agreement on how to move forward, or even on which diverse perspectives are most needed. On top of that, most of the newsrooms from which genuine diversity is missing are officially governed by the View from Nowhere, an ideology that stands in subtle contradiction to the very premise that diverse perspectives are required to produce a fair and compelling portrait. No one wants to deal with that mess.

8. I refer now to a cultural condition and media climate involving bad actors and false claims that is so confusing and seemingly hopeless to most of us that terms like “death of truth” and “post-fact” are routinely used by educated people as they try to name and frame what stands out about this. Journalism’s response has been more fact-checking and the calling out of untruths, but it’s clear by now that fact-checking is not having the desired effect. So what lies beyond fact-checking? We do not know.

9. For 50 years or more, university-based journalism schools in the United States have connected with the news industry and the journalism profession using a simple formula that worked for everyone. “Send us people we can plug into our production routine tomorrow.” This was the agreement these schools had with students and their future employers in American newsrooms. But it isn’t good enough anymore. For one thing, the production routine itself has to be re-engineered, and the J-schools of America aren’t set up for that. Finding a business model that can sustain a quality newsroom is the industry’s biggest problem, but J-schools aren’t designed for that, either. There’s plenty of change, energy and optimism in journalism education, but it’s not clear what replaces the prior consensus: “Send us people we can plug into our production routine tomorrow.”

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20 May 2018 6:21 pm Why does CNN continue to have Kellyanne Conway on? 6 May 2018 5:41 pm When the President’s own lawyer pictures him a grifter 4 May 2018 5:53 pm I will be studying German pressthink in Berlin this summer.

It’s time for the press to suspend normal relations with the Trump presidency

That is my recommendation.

25 Jun 2018 2:18 pm Comments Off on It’s time for the press to suspend normal relations with the Trump presidency

It sometimes happens in diplomacy that one country has to say to another: “This is extreme. We cannot accept this. You have gone too far.” And so it suspends diplomatic relations.

In 2012 the government of Canada announced that it would suspend diplomatic relations with Iran. “Canada views the government of Iran as the most significant threat to global peace and security in the world today,” said the foreign minister.

Journalists charged with covering him should suspend normal relations with the presidency of Donald Trump, which is the most significant threat to an informed public in the United States today.

That is my recommendation.

I began making this point on the third day of his presidency, January 22, 2017, when I said the press should send interns to the White House briefing room. Normal practice would not be able to cope with the political style of Donald Trump, which incorporates a hate movement against journalists.

“Send the interns” means our major news organizations don’t have to cooperate with this. They don’t have to lend talent or prestige to it. They don’t have to be props. They need not televise the spectacle live (CNN didn’t carry Spicer’s rant) and they don’t have to send their top people. They can “switch” systems: from inside-out, where access to the White House starts the story engines, to outside-in, where the action begins on the rim, in the agencies, around the committees, with the people who are supposed to obey Trump but have doubts… The press has to become less predictable. It has to stop functioning as a hate object. This means giving something up.

So that’s one way to suspend normal relations: send the interns. On MSNBC June 12, Rachel Maddow described another. She said that frequent viewers of her show may have noticed a pattern:

I don’t go out of my way to play tape of the president speaking. Nor do I tend to spend too much time parsing whatever the latest quote is from him. That is not out of any animus on my part, it’s just that the president very frequently says things that aren’t true. He admits that he says things that aren’t true. He calls it, you know, hyperbole, but he lies. And I feel like on this show I’d like you to be able to trust me to give you true information. Because I generally feel like I can’t trust what purports to be information from this president, I just try to do the news without words from him, most of the time.

Normally, the president is quoted more than any other public figure, and clips of him speaking are ubiquitous in television news. Maddow told her viewers that she had suspended this practice because, more likely than not, the president’s words would only misinform them. Every president needs to be fact-checked. This one doesn’t care if what he says is true. That’s extreme, and it calls for a response.

The opposing proposition was stated well by Chris Wallace, of Fox News:

“Anything that a president would say — even if it was libelous or scandalous — it’s the president talking, and I think you report it,” said Chris Wallace, the “Fox News Sunday” host who moderated this year’s third presidential debate. “Under any definition, it’s news, whether it’s sensible or not, factual or not, productive or not.”

A middle-ground would be this: what the president says is neither automatically newsworthy nor automatically suspect. Rather, it has to be judged in context. Which sounds super-reasonable. Who can be against “context” and case-by-case judgment? But here’s the context: bad actor, cannot be given the benefit of the doubt, no matter what the case is.

“How,” asked Chuck Todd on Meet the Press June 17, “can we believe a president who routinely says things that are provably false?” Instead of treating these questions as unsolvable riddles, Chuck Todd could… suspend normal relations. For Meet the Press, that might mean: don’t accept as guests the people the White House sends out as defenders of the provably false (especially Kellyanne Conway.) If Trump himself is willing to sit down with Chuck Todd, fine. Take him on over his many falsehoods. But no surrogates or fog machines unless they are willing to correct the president.

The American press corps is not like the government of Canada, which can speak with a single voice. Thousands of people working for hundreds of newsrooms cannot change their practices in synch with one another. But they can all decide, “This is extreme. We cannot accept this. This has gone too far.” And then make a break with normal practice.

For the Washington Post it might be declining to participate in so-called background briefings. For NPR, it might be refusing to report false claims by the President unless they are served as a “truth sandwich,” a suggestion recently made by Brian Stelter and Margaret Sullivan, interpreting the work of George Lakoff. For CNN, never going live to a Trump event — on the grounds that you will inevitably broadcast falsehoods if you do — would be a good start.

Suspend normal relations. It’s up to the journalists who cover Trump to decide how they will do it. The important thing is that they do it. And then announce what they did, to get others thinking about their own steps. In this way the sovereign state of journalism can take action, and show, as the Canadian prime minister said recently, that it will “not be pushed around.”

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20 May 2018 6:21 pm Why does CNN continue to have Kellyanne Conway on? 6 May 2018 5:41 pm When the President’s own lawyer pictures him a grifter 4 May 2018 5:53 pm I will be studying German pressthink in Berlin this summer.

Why does CNN continue to have Kellyanne Conway on?

There was an exchange on "Reliable Sources" today that stands as a reveal.

20 May 2018 6:21 pm 28 Comments

I want to capture for you a little moment today on the Sunday shows.

It came during Brian Stelter’s lengthy and of course contentious interview with Kellyanne Conway on CNN’s Reliable Sources. (I watch so you don’t have to…) Something happened during the struggle that I believe sheds light on a question that a great many people have about such interviews. Why do the networks keep doing it?

I tried to answer that in January of 2017. Everything I wrote then still appplies, including “they’re never going to stop with @KellyannePolls. Never! She’ll be on TV for as long as she works for Trump.”

Today Stelter had a starter question for Conway: If special counsel Robert Mueller has yet to make any report, how does President Trump know that Mueller has found no evidence of collusion between the Trump campaign and Russia? “Who’s telling him that?” Good question! A full 20 minutes later — with no commercial break — he had gotten no answer, despite coming back to the same question at least five times (I counted.)

Which is exactly why people continue to ask: why do you have Kellyanne Conway on? On Sunday morning, before his show aired, Stelter asked his followers on Twitter:

1,500 people answered. Typical replies:

So that happened. Here’s something that happened on the show. Read carefully, or you might miss it.

Conway makes an offhand reference to “people on your side of the aisle…” The implication: Stelter is a Democratic party operative.

Stelter: I am not on any side of the aisle.

Conway: Oh yeah? Who did you vote for?

Stelter: I didn’t vote for president. I left that line on the ballot blank. Anyway, it’s not appropriate for you to ask me that.

Conway: Oh, so it’s appropriate for you to ask me things?

Stelter: “We asked you to come on the program because you’re representative of the President… that’s the point of the interview!”

Conway. Well, the President thinks there’s no collusion. And even you guys seem to be losing faith in that narrative. You now have Michael Avenatti on all the time. The Democrats promised evidence of collusion. Where is it? “You confused America and you wasted time talking about that,” instead of trade deals, national security, a prosperous economy. These things matter to people. 

Stelter: They do matter.

Conway: “Look, if you think your job is to get the president and not get the story, you ought to just own it. Just say it. Because I know your viewers expect that now. Look at their comments all the time, ‘Don’t have Trump people on.’ They expect you to be reflexively, invectively anti-Trump, and that’s problematic.”

Stelter: “I’m glad you’re here! The goal is not to get the president, the goal is to get the truth. There’s a lot of people lying…”

There! Did you catch it? Kellyanne Conway knows that a whole lot of Stelter’s viewers don’t understand why he and the rest of CNN (Jake Tapper, Dana Bash, Chris Cuomo) continue to fence with her when the informational results are so thin. She brings up their complaints, but inflates and distorts them to make the critics sound as unreasonable as possible. (“Don’t have Trump people on.”)

Instead of siding with his puzzled viewers (“Well, Kellyanne, maybe they’re just frustrated, like I am, that I cannot get an answer to my original question, after six tries…”) Stelter places puzzled viewers in opposition to his own approach. That’s the moment I wanted to freeze for you. Some people may think there’s no point in listening to you, Kellyanne, but I’m not like that. I’m glad you’re here! (Go to 6:00 in this clip to see it yourself.)

Why does CNN continue to have Kellyanne Conway on its shows? Stephen Colbert asked Tapper that directly

Colbert asked. “Kellyanne Conway — why have her on TV? She is a collection of deceptions with a blonde wig stapled on top.” Tapper didn’t disagree, exactly, but he said he thinks “sometimes it’s worth it to have people on so you can challenge the very notion of the facts that are being disregarded and the lies that are being told.”

So that’s one answer: We may know with a high degree of probability that facts will be disregarded and lies will be told, but the interview is a chance for us to challenge that. From Reliable Sources today came a different answer. Interviewing Kellyanne Conway places us in opposition to our core audience— which is exactly why we do it, Kellyanne. To prove to the world how open we are to your voice, even when “they” are not. And we’re thrilled to have you here.

“I’m happy to be here!” she exclaimed, smiling.

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25 Jun 2018 2:18 pm It’s time for the press to suspend normal relations with the Trump presidency 6 May 2018 5:41 pm When the President’s own lawyer pictures him a grifter 4 May 2018 5:53 pm I will be studying German pressthink in Berlin this summer.

When the President’s own lawyer pictures him a grifter

We should resist the term "strategy" for Trump's egoistic maneuvering. There is none. But there may be a new fact pattern.

6 May 2018 5:41 pm 14 Comments

By Jay Rosen

White House reporter Jonathan Karl of ABC News gave a scary report Sunday about the recent round of interviews by the President’s new lawyer, Rudy Giuliani. On ABC’s “This Week,” Karl said:

“I think what you are seeing now is a new war on Robert Mueller, a new war on the investigation. Mueller and the investigation are now central to the Trump midterm election strategy and his re-election strategy. They want to vilify, they want to delay this investigation. They want to draw it out. You will see more interviews like this. They actually want this issue to be front and center. Because, George, they believe that the biggest motivator for the Trump base in the midterm elections will be fear of impeachment.”

Speaking on CNN’s Reliable Sources, Carl Bernstein said of Guiliani:

“What he has done, unlike any of the president’s surrogates, is to picture the President of the United States as almost a grifter, with no interest in anything but conning the American people, saying as he said today, ‘Oh yeah, there might be more Stormy Daniels,’ and ‘there might be more hush payments.’ It’s extraordinary what Giuliani is saying and the picture he — not the press — is presenting.”

On Jake Tapper’s “State of the Union,” Democratic Congressman Adam Schiff said:

“I have to say I am a little taken back by this new lawyer Giuliani’s strategy. His legal defense for the President seems to be, ‘You can’t believe the President of the United Stated, that’s our defense. So when he says things you just gotta discount them’… Other things that Giuliani said in his maiden voyage as the Presidents new lawyer were deeply hurtful to the President’s case.”

I was confused by this myself until I heard Jon Karl’s interpretation this morning. By normal criteria, Giuliani’s recent television appearances have been at best puzzling and at worst disasters for his client. “Normal criteria” means common sense propositions like these…

  • the President doesn’t want to be seen as a liar in front of the whole world;
  • the President doesn’t want to do anything that would put him at greater legal risk;
  • the President doesn’t want to prolong an investigation that is time-consuming and emotionally-draining;
  • the President doesn’t want to strengthen the case for his own impeachment, the ultimate humiliation for any commander-in-chief.

What if none of these any longer apply? We need to be alert to the possibilities Jon Karl outlined. I think we should resist the term “strategy” for Trump’s egoistic maneuvering. There is no strategy. But there may be a new fact pattern, the outcome of his lawyers attempting to manage their client’s malignant narcissism by accepting its most bizarre constraint: any managing will have to be done through semi-regular television appearances that explode the news cycle. Nothing else will the big boss trust.

Plug in those factors and the crazy machine spits out widgets like these…

  • prolong the special counsel’s investigation as long as possible so as not to relinquish a potent source of resentment;
  • add to the chances that impeachable offenses will be found— by, for example, making the Comey firing sound sketchier and sketchier;
  • instead of building a case for the President’s basic innocence, confuse the case by constantly shifting your explanations and by spicing them up with trace elements of guilt;
  • instead of steering away from sources of legal danger, like the Stormy Daniels case and lawyer Michael Avenatti, sail right into them so as to thicken the atmosphere of crisis and guarantee non-stop news coverage;
  • instead of minimizing evidence that the President lies in his public statements, dangle additional proof and let the press pounce on it;
  • instead of projecting lawyerly competence and command of the case, let Giuliani admit that he still doesn’t know the facts, even though he’s on TV arguing about them.
  • instead of denying that worse news is yet to come, flip it around: it may well be that more damaging stuff about the president will come out… so stay tuned!
  • raise the psychological price that core supporters would have to pay for abandoning Trump by making them swallow bigger and more blatant falsehoods, and then hint around that this is indeed what you have done.

As with so many other moments since that escalator ride, we’re in uncharted territory for the American presidency, where crashing the ship of state is seen as clever programming, and willing the impeachment of the President is revealed as an Oval Office plan.

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25 Jun 2018 2:18 pm It’s time for the press to suspend normal relations with the Trump presidency 20 May 2018 6:21 pm Why does CNN continue to have Kellyanne Conway on? 4 May 2018 5:53 pm I will be studying German pressthink in Berlin this summer.

I will be studying German pressthink in Berlin this summer.

What are the common sense ideas about the role of the press that almost all German journalists take for granted?

4 May 2018 5:53 pm 11 Comments

In 27 days I fly to Berlin to spend June, July and August as a fellow at the Robert Bosch Academy. I have never lived in a European city, so this will be a new experience for me.

I am posting here a description of my project, so that people with suggestions can share them, either by using the comment section, by talking to me on Twitter, or by sending me an email, hopefully with Berlin! in the subject line. Here’s my project:

I want to answer this question: What is German pressthink and how is it changing? In order to show what I mean, I need to explain that term, “pressthink,” which is my invention. It is also the name of my blog. I define pressthink as the common sense of the journalism profession, the ideas that journalists share in common about their work, the meaning and importance of that work, and the way it should be done— or should never be done. You could also say that pressthink is the assumptions journalists make about what “good” journalism is, and how to do good for society through journalism. Sometimes these are less-than conscious.

Up to now my writing has been primarily about American journalism and its pressthink. So, for example, I have analyzed “he said, she said journalism,” and what I call the View from Nowhere because these are practices that reveal how American journalists think. In the summer of 2017 I wrote about how asymmetry in the two-party political system is almost too much for American pressthink, which can’t handle it.

During my stay at the Bosch Academy in the summer of 2018 I want to ask German journalists, editors, publishers, scholars, activists, and politicians: what is German pressthink? What makes it distinct? How is it different from American pressthink? What are the common sense ideas about the role of the press that almost all German journalists understand and take for granted? Where did those ideas come from? What pressures are they under? What is uniquely German in them? A lot of American pressthink has been broken by Trump. It doesn’t work very well any more. Has anything like that happened in Germany? Is German pressthink evolving? Is there consensus among German journalists about what “good” journalism is, and how to do good for society through journalism? Or is that breaking apart?

I will investigate these questions by talking to people and trying to make sense of their answers.

Update August 31. I have now returned from Germany. My first attempt to write about what I learned was published in German translation by the Frankfurter Allgemeine Zeitung (FAZ), one of the big national newspapers in Germany. Here it is in English. (Reactions from German editors here, in German.)

These are the 53 people I interviewed in and around the German press. The list includes editors and reporters, freelancers and trainees, product managers and start-up founders, journalism professors and scholars of German politics, newspaper publishers, heads of public broadcasting companies, directors of journalism non-profits, journalism bloggers, activists trying to change the press in Germany— and the Danish ambassador, who is a keen student of the German media and a voracious consumer of it. The complete list:

Ferda Ataman, board chair, New German Media Makers (Neue Deutsche Medienmacher)

Günter Bartsch, director,  German Association of Investigative Journalists (Netzwerk Recherche)

Markus Beckedahl, founder of Netzpolitik.org

Michael Brüggemann, chair of Communication Studies, University of Hamburg

Yermi Brenner, freelance journalist, Berlin

Kai Diekmann, former editor of Bild

Thorsten Dörting, managing editor, Spiegel Online

Daniel Drepper, editor-in-chief, Buzzfeed Germany

Patricia Dreyer, news editor, Spiegel Online

Michael Ebert, editor in chief, SZ magazine

Sebastian Esser, founder and publisher, Kraut Reporter

Alexander Fanta, writer and reporter, Netzpolitik.org

Alina Fichter, member of chief editorial staff at Zeit Online

Jannis Frech, researcher, Journalism and Communication Science, University of Hamburg

Cornelius Frey, co-founder, Opinary.com

Michael Hoffman, Habermas scholar, Florida Atlantic University

Andreas Kluth, editor-in-chief, Handelsblatt Global

Tanit Koch, former editor of Bild

Kai Kupferschmidt, Berlin-based correspondent, Science magazine

Sina Laubenstein, project director, New German Media Makers

Anette Leiterer, chief editor ZAPP at Norddeutscher Rundfunk (NDR)

Mirco Liefke, PhD candidate, Goethe University Frankfurt am Main, Institute of Sociology

Sasha Lobo, author and Spiegel columnist

Boris Lochthofen, director of MDR’s Landesfunkhaus Thuringia

Uli Machold, director of product and managing editor of Upday news app

Georg Mascolo, head of investigative unit for NDR, SZ & WDR

Yascha Mounk, author and expert on the rise of populism

Stefan Niggemeier, media critic and blogger

Stefan Ottlitz (formerly Plöchinger) head of product, Der Spiegel

Jan-Eric Peters, deputy CEO and editor-in-chief of Upday news app

Friis Arne Peterson, Danish ambassador to Germany

Barbara Pfetsch, professor, Institute for Media and Communication Studies, Free University of Berlin

Dieter Pienkny, member of the programming council, Rundfunk Berlin-Brandenburg (RBB)

Bernhard Pörksen, professor, Institute for Media Studies, University of Tübingen

Sissi Pitzer, media reporter for br.de’s Das Medienmagazin

Matthias Revers, lecturer, School of Media and Communication, University of Leeds

Anna Sauerbrey, head of opinion, Tagesspiegel

Caroline Schmidt, reporter, ZAPP program at Norddeutscher Rundfunk (NDR)

Thomas Schnedler, project head for nonprofit journalism, German Association of Investigative Journalists

David Schraven, publisher, Correctiv

Sandro Schroeder, journalist trainee, Deutschlandfunk Kultur

Christoph Schwennicke, editor in chief, Cicero magazine

Wolf Siegert, Director, IRIS® Media

Johanna Sprondel, digital strategist, Berlin

Christian Stöcker, Faculty of Design, Media and Information, HAW Hamburg

Andree Thorwarth, head of editorial team at the political talk show, “Anne Will”

Sebastian Turner, publisher, Tagesspiegel

Heidi Tworek, historian of modern Germany and Europe, University of British Columbia

Vivian Upmann, manager for the board, New German Media Makers

Konstantina Vassiliou-Enz, director, New German Media Makers

Sonja Volkmann-Schluck, German Press Council (Presserat)

Stephanie Walter, senior research associate, Institute of Journalism and Communication Studies, University of Hamburg

Andreas Wolfers, director, Henri-Nannen School of Journalism (journalistenschule.de)

Anita Zielina, former deputy editor-in-chief and online director, Stern